Friday 18 January 2013

Props and Set!


Before making the scarf, I decided to create a little belt. This would then hide where the jumper and trousers meet, and would hopefully make the design look more interesting and detailed.
To start this, I obtained some thin brown leather from a pencil case I own(ed), Cut out a strip long enough to wrap around my puppet and thick enough to fold over on itself.
I then applied some strong UHU glue along the leather and folded it around itself, making a neat fold along the top edge of the belt.


                      This is seen to the left.








       Around the belt, I sculpted a belt buckle out of Super Sculpey Firm. I baked it for 10-15 minutes at 130 degrees, setting it so its nice and solid.

 I then elevated it on a piece of plasticene, much like the buttons for the jacket, and then sprayed it gold, to get a nice, brush stroke free finish.

Above is the final sprayed belt buckle, attached on with glue, so its firm and won’t move around when animating. The belt is also attached to itself and to the trousers, so that will not move when animating either.




To make the scarf, designed in my pre production, I firstly wanted it to have a bit of secondary movement when animating it, so to achieve this, I laid out my material I had found. And made the basic scarf shape by gluing and stitching together.

I then made a basic wire armature to insert inside, and sewed it all together...

not very proud of this scarf :( bit rubbish
                                                  








Week 6  Set & Prop Building



For my set, I have planned to create a front room for my character to be standing in, addressing his piece to camera, Within the room, I planned to make a grandfather clock, That eventually falls on him, an elegant table, photo frames on the walls, the walls themselves with a skirting board around them, wooden flooring, and props to go on the table, including bottles of medicine, pills, a book and maybe some sheets of paper and various other items just to feature in the background.

Firstly, the photo frames for the walls



On her travels, I my Mum found this mini photo frame in a Christmas shop, and thought that it would be a lovely addition to my set, I decided to use this as a photo frame on the walls of the set.
However, I didn’t just use it straight away, I wanted to spray it gold so it would fit in with everything else I was planning on making, so to prepare for spraying, I cleaned any dirt or dust off, covered the glass of the frame up carefully with masking tape and elevated it on a chunk of plasterscene to avoid any pools of paint around the edge of the frame
.

I also found another mini photo frame in Clas Ohlson, in black, so I decided to spray this too,

I set up an area to spray, and took a can of ‘Matt grey primer’ I then sprayed the first coat with this primer so the gold paint had a good surface to stick onto.
(The original surface was a bit slippery so paint may not have worked very well straight on top.




Above:
Photo frames covered in matt primer.



 Above: final frames sprayed gold

  
I then went on to make some little props for the table of my set.
Firstly, I made a little book just to stick on the table for a non-moving background prop.

My idea was to incorporate a bit of comedy into the book by entitling it ‘Outrunning death (with doctors and medicines) for Dummies.
This is because in my sound clip, whilst talking about death, he says, ‘You can try and out-run it with doctors, medicines’ I just thought it would be quite funny if more observant viewers saw this in the background of the set, hopefully it will give a little chuckle.



So first of all, I made this in photoshop by getting an image of a ‘business for dummies’ book, front and back and sneakly, I edited parts of it to feature what I wanted. Including the title, authors, slogans , and two pictures of ‘doctors and medicines.

I then printed this out to the correct size on a sheet of photo paper, to give it that glossy look.



I then created a little book out of paper, with individual pages, and then stuck the cover over it with normal office prit stick.


   
Here is the final book, finished and made to look a bit used.

I then set out to make some props, I sculpted some medicine bottles and some tiny little pills out of Super Sculpey Firm. 
In my animatic, my character hits these off the table, so I have input little holed in the pills and bottles so that they can be suspended on a piece of wire and then edited out afterwards, (if there is time)


 
Once they were baked, I stuck them on some needles and painted the tiny little details on in acrylic. 
I now want to spray them with some clear matt finishing spray so the shininess is toned down a tad.


 





To the left are all my little props painted, but not varnished.
the bottles also need a little label on them too, that I have created in photoshop....









Above is the label I have made on Photoshop, I still need to print it out, and stick it to the bottles but that should take two minutes. You may notice theres a couple little jokes here that you'll never see on camera, but I had to fill up that writing somehow... 


For the table of my set, I was originally going to make it out of wood, but due to running out of time, I have found this little jewellery box that my grandmother used to own. It’s a brilliant size for what I wanted, and would work perfectly.
I would have loved to make it, but I just simply haven’t enough time.
Especially as I am going to make the grandfather clock.

Another thing you may notice in this picture is the wooden flooring, I bought this vinyl flooring, and for my set, it’s a perfect size, The bottoms are adhesive as well, so it will be easy to stick to a metal base for the set. 

On to the Grandfather clock. Firstly I took a wooden arts and crafts box, bought from an arts and crafts store, took it apart and drew out a blue print (much like an armature plan, of what pieces I would need for my clock.            



Using a wood saw, I cut each section out of the piece of wood,
this picture demonstrates the amount of pieces I needed,
there was about 20 over all.

I then started to put them together, with wood glue and hot glue
.



I first made the base, I glued all the planned pieces together and then, along the edges, where the wood had gone lighter, due to sanding, I took a paint brush and used a bit of Mahogany wood stain along the edges. It worked a treat and was more or less the same colour!



  I then started putting it all together....




























Tah Daaahhh!!

Finished Grandfather clock, complete with animatable pendulum and face.
It can also move...

You'll find out why soon!

After this was the animating! The whole set was constructed first, (no pictures sorry :( )
 and then I animated just before Christmas, had a couple of days break (for Christmas) and then got back on it in January. took ages, but its my own fault for planning a 20 second piece!

Next, you will see the final animated sequence :)



Week 5: Puppet Making (Padding, Skinning & Clothing)



Anyways, Plodding along!


Next was padding out for clothes!





To the right shows the hard blue foam sculpted around the parts of my armature that needed it.
These pieces of foam resemble the harder parts of the human body, (the chest and hips.) It also gives a good solid core to hold onto when animating body movements.
To create this, I got a section of foam, cut it to size according to my armature plan, chopped it down the middle, pressed it neatly into my armature on both sides and then attached it together with glue.
Extra sculpting and sanding down was undertaken to then get this shape.









Once that was done, 
Measuring a block of soft foam, (bought at a fabric shop) against my armature plan, I drew out the shapes I would need for the soft areas of my puppet.
(i.e. The belly, arms, legs and under the shoes.)

I then started to cut them out using a junior hacksaw, scissors and a craft knife.












To the right is basic shape of the stomach piece. 
This was cut into a cube, at the right size according to my armature plan, and then sliced down the middle. It was then placed in the bare stomach area and glued together making sure not to glue over the wire, as it would stiffen it up and be a hindrance when animating … 
I then gave it a little snip to get it into shape, and then started with the arms and legs…









The same was then done with the arms and legs,
as you can see the arms are a tad beefy here! This was just before gluing and snipping the excess off.

You may notice I have only padded out half of my puppet’s legs, this is because this is where his boots come up to, and separate padding will be under them…














Before and after trimming!
Some foam on the feet to pad out the latex boots...



Once everything was padded out, I started to make my character’s jacket.
To begin this process, I needed to figure out the pattern of the suit, so first of all, I 
wrapped my puppet in cling film to start the pattern making technique…



I then carefully covered the cling film up with masking tape, to make the basic shape of the suit.



Once everything was masking taped up, taking inspiration from on old prom suit, I drew on the seam lines of my character’s suit. (seen above.)






If you look to the left, you’ll notice little lines crossing over the seam line.  These are points of reference;
this is for the next step, which is cutting down the seam lines so the shapes that I require out of fabric, will be in masking tape form.

These little points of reference will tell me how the pieces of the suit go back together again.







To the left and below:
The masking tape, cut out into shapes



then flattened out each part of the masking tape suit and placed them all on my piece of fabric bought for this purpose. (I’m quite happy with the colour as it really does resemble my pre production digital cut out designs’ suit.)

I placed the tape face down, so that the writing was facing the material, and started to draw around it, first in pencil, secondly in pen. I also then added about a centimetre around the edge of the shape so I could sew it together, and then trim it off later…

All the shapes drawn out, ready for cutting and sewing!

At this step, I also was figuring out what sections needed to be folded in on them selves and what sections needed to be sewn together. The collar was a right pain!


Bit of a big jump here,
but after hand sewing all the pieces together, and fabric gluing some of the trickier parts, This is what the outcome was.
Its not my best. I’m not 100% happy with it, seems frayed in some areas and where I used fabric glue, some parts may seem dirty but its not too bad in some areas,
The back part is my favourite, and that’s just typical, because we wont see it in the animation!
Oh well!




I made these little buttons out of Super Sculpey Firm, I sculpted them as perfect as I could at first and input two little needle holes in the middle to sew them on to the suit.
Once they were done, I baked them in the oven for 10 minutes at 130 degrees and sanded them down to make this flat edge on top and around the circumference.
I then propped them all up on a bit of plastiscene on some MDF so when I sprayed them in gold, there wouldn’t be and pools of paint around the button.

The buttons were then sprayed gold, and stitched onto the jacket.

The picture to the right shows the size comparison between a needle and my sculpted buttons
.



Trousers!

Next on the agenda were the horse riding type trousers from my designs in pre production. To make these, Like the jacket, I covered the area where the trousers would be in cling film and then masking tape, and then drew seam lines and points of reference along them, Making sure I labelled the two parts ‘front’ and ‘back’ to avoid confusion.                                                                        
Once cut out, the two shapes of masking tape (front and back of the trousers) were converted onto the green/brown material I wanted. (taken from an old zip up hoodie.)


As you can see above, I added an area around the edge of the two patterns so I could sew them together with ease.


The sections were then cut out, and sewn together along the seam line. I sewed the patterns inside out with very tightly compacted stitching so the seams were strong and would stay together when rough handling is needed. On the waist and the bottoms of the legs I turned the material in on itself and glued it down with fabric glue. This gave a nice finish and made everything look neat and tidy. 


I then turned the inside out trousers the right way around, and there we go!
I’m really pleased with these, as they were very quick to make and I think they are the best part of my clothing so far.



Above: The trousers with the hip block inside.















Here are the final trousers together with my latex boots.
I’m really pleased with the out come, I really like the way the material riles up between the legs, It almost fools you into thinking it could be a normal sized pair of trousers!







I then had to make a small little jumper underneath my character’s jacket, just to give it that believability. So instead of making a fully working jumper that goes over the shoulders, to save time, I hinted towards one.

Animation = LIES

I just cut out a section of material from one of my grandfather’s old hats (given to me, not stolen!) to the shape of the front of my jumper, I created the ‘v neck’ and hem around the bottom by just folding the material in on itself and then gluing it down.
The jumper was then glued onto the body securely at the top and bottom to avoid it moving and flickering on camera in the final animation.


This is what it looked like when covered by the jacket. I think its quite effective and save time and material.
The head and a scarf will cover up the blue foam, which you see at the top of the jacket.